“In specific context, people, in their vast majority, can do the worst.”
Be driven by events or go against the current? Bizangos drives us in a strange nocturnal crossing, fantasy tale that questions man’s position within the group and his ability to become monstrous.
Opera of ruins, opera across the fields, this musical drama extends the search of Rara Woulib about trance music, sacred songs and syncretic rituals. “A contemporary tragedy powerfully resounding in the city.”
It’s a thought about the crowd, its power, its motion. What are we inside? Elements playing a part in its energy, making up its power. Passive individuals, letting themselves be driven by its flow, helping do the action’s it’s committing and completely losing control. This experiment questions our personnal positionning inside the group, the crowd or the society.
