Arguably Nutkhuts most visually ambitious work to date,
Swyron is a steam-punk revolutionary, a nomadic warrior plucked from the battlefields of the Mahabharata and re-imagined with a futuristic twist. Channelling the visionary genius of HG Wells and Jules Verne, Nutkhut’s bold reinvention of the Victoriana with a heady dose of 15th century Vedic really is a sight to behold.
As if a character bursting from the pages of a graphic novel Swyron arrives adorned in intricate bejewelled armour, sitting astride a steam-billowing time machine, the distinctive beats of Asian underground thundering from beneath his imposing figure. Of all Swyron’s mythical powers perhaps the greatest lies in his ability to delight and astound audiences in equal measure. Children and adults alike are left enraptured as they follow Swyron on his intergalactic exploits, ever fluctuating between the comedic and the apocalyptic. Swyron is unique – as is the experience of all those who share in his mythical presence.